The horror movie world has seen its fair share of cinematic screw ups, so there’s definitely an amount of desensitization plaguing movie-goers across the globe. When there’s one folly, there’s sure to be MANY more, so there’s room for forgiveness, right?
   Wrong. With such amazing subject matter out there to be had, and toyed with, and given justice, Hollywood certainly needs a HUGE kick in the ass, but that’s why we have independent producers and filmmakers to right the many wrongs of the big wallet executives. One such wrong that easily takes the prize for victim with the most under thought script is the Sam Raimi produced film, “The Boogeyman”. Yes. “The Boogeyman”.
   Lacking any kind of imagination, and a plot over-saturated with horror cliches, “The Boogeyman” took a great fall. The special effects were overdone (and not well, might I add), and the characters were weak, lanky puppets to the supernatural happenings taking place through out the story. There was nothing scary about it. 
   Come on! Give me what I was afraid of. Growing up with stories of ol’ boogey, I spent so many nights hiding under the blankets, hoping that whatever the noise was I had heard emanating from the darkened corners of my closet, wasn’t a horrific marauder from my worst nightmares. So, justifiably, when I had heard Hollywood was taking a shot at the scariest of all childhood fears, I expected something worth while. Seriously, how could you screw up the boogeyman? Well, there’s “The Boogeyman” for you, here to usher a new kind of cinematic pain to movie-goers, through its every unbearable minute.    
   Since its release in 2005, I have come across articles on the nets and in magazines, but due to the first films awful effect on me, it was simple to pass them up. Accidents happen though, and this morning, while flipping through the channels, my journey landed me on the Syfy network where I beheld the sequel to such awfulness, “The Boogeyman 2”. Rarely do I find sequels amusing, or even worthwhile, but this. THIS was an exception. A humongous one at that.
   With such a bum send-off, it’s easy to see why I passed this series up, but “The Boogeyman 2” is the saving grace that you’d be hard-pressed to find in too many sequels. While the older characters are portrayed rather dully, it’s the energy of the younger actors and actresses that drive this film from start to climatic finish. Mystery and horror has never looked this good, with the twists and turns really being what defines this film, differentiating from it’s predecessor. Might I add, the terror and gore have been turned up a brutal notch to boot?        
  It makes me happy to see that Sam Raimi got behind something a little more frightening and lively this time around. With such a failure in the first movie, it’s nice to see that the filmmakers hit the refresh button successfully and made a true horror movie out of such classic subject matter.
   Now, with my hope restored, maybe it’s time to finally give “Boogeyman 3” a chance, eh?
     

   The horror movie world has seen its fair share of cinematic screw ups, so there’s definitely an amount of desensitization plaguing movie-goers across the globe. When there’s one folly, there’s sure to be MANY more, so there’s room for forgiveness, right?

   Wrong. With such amazing subject matter out there to be had, and toyed with, and given justice, Hollywood certainly needs a HUGE kick in the ass, but that’s why we have independent producers and filmmakers to right the many wrongs of the big wallet executives. One such wrong that easily takes the prize for victim with the most under thought script is the Sam Raimi produced film, “The Boogeyman”. Yes. “The Boogeyman”.

   Lacking any kind of imagination, and a plot over-saturated with horror cliches, “The Boogeyman” took a great fall. The special effects were overdone (and not well, might I add), and the characters were weak, lanky puppets to the supernatural happenings taking place through out the story. There was nothing scary about it.

   Come on! Give me what I was afraid of. Growing up with stories of ol’ boogey, I spent so many nights hiding under the blankets, hoping that whatever the noise was I had heard emanating from the darkened corners of my closet, wasn’t a horrific marauder from my worst nightmares. So, justifiably, when I had heard Hollywood was taking a shot at the scariest of all childhood fears, I expected something worth while. Seriously, how could you screw up the boogeyman? Well, there’s “The Boogeyman” for you, here to usher a new kind of cinematic pain to movie-goers, through its every unbearable minute.    

   Since its release in 2005, I have come across articles on the nets and in magazines, but due to the first films awful effect on me, it was simple to pass them up. Accidents happen though, and this morning, while flipping through the channels, my journey landed me on the Syfy network where I beheld the sequel to such awfulness, “The Boogeyman 2”. Rarely do I find sequels amusing, or even worthwhile, but this. THIS was an exception. A humongous one at that.

   With such a bum send-off, it’s easy to see why I passed this series up, but “The Boogeyman 2” is the saving grace that you’d be hard-pressed to find in too many sequels. While the older characters are portrayed rather dully, it’s the energy of the younger actors and actresses that drive this film from start to climatic finish. Mystery and horror has never looked this good, with the twists and turns really being what defines this film, differentiating from it’s predecessor. Might I add, the terror and gore have been turned up a brutal notch to boot?        

  It makes me happy to see that Sam Raimi got behind something a little more frightening and lively this time around. With such a failure in the first movie, it’s nice to see that the filmmakers hit the refresh button successfully and made a true horror movie out of such classic subject matter.

   Now, with my hope restored, maybe it’s time to finally give “Boogeyman 3” a chance, eh?

     

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